I’ve mentioned a few times that I want to get better at drawing portraits this year. But how does one manage this when the first half of each day is devoted to painting the figure and the second half is all about still life?
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by Melissa Messer
I’ve mentioned a few times that I want to get better at drawing portraits this year. But how does one manage this when the first half of each day is devoted to painting the figure and the second half is all about still life?
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Today I finished my first warm/cool palette still life.
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Is this thing on? Testing. Testing. One, two. I can’t believe it’s been two months.
Read MorePost before last, I linked an article about Jacob Collins who runs an atelier in New York. At the time I was working on a master copy of one of his portraits: Carolina, oil on canvas, 22 x 20 inches, 2006.
Read MoreTuesday night figure sculpting class is at an end!
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This profile from June 2011 of Jacob Collins is one of the best explanations of the classical realism atelier movement I’ve read.
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As promised, I present for your reading pleasure a post on taking what I learned from the sphere project and applying it to figure painting in the life room.
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Here we are, another year older another year wiser and off we go again to slay the dragon.
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Here are some pictures of my projects from my first month back in the atelier.
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Dear Patient Readers: Year two is in full swing and where the heck have I been? Painting hard.
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